Heroes Wear Red Take Their Place in the MK MVP
2010-07-29
Go to artist page

MK Musiekvideo-projek!

MK Musiekvideo-projek!

save-for-web-group-pic.jpg

 

 

With the release of the new Heroes Wear Red single “Bring Me Love” only weeks away, the announcement of the MK MVP winners is incredible news for the band about to take your breath away.


MK Music Video Project (MVP) - top 10 announced

Ten local artists will each get R50k from MK to produce a music video

Lights, camera, action! The top 10 MK Music Video Project (MVP) artists for 2010 have been selected. Aiming to invest in and uplift the South African music and production industry, MK recently commissioned 10 local music videos by putting a tender out to pitch. 196 pitches were submitted in the space of a month.

To enter, bands had to partner with a reputable and registered South African production company and conceptualise a superior quality, creative music video concept for one of their as yet un-filmed tracks.

With a balance of both established artists and newcomers, the music videos are set to be world class. The top 10 are:

• Jack Parow, Tussen Stasies submitted by Ten10 Films
• Foto na Dans, Die Vloed submitted by Admit One Productions
• The Cavalier, Kiss and Tell submitted by Tough Sunday Productions
• Will Mono ft. Jax Panik, Ken My Nie submitted by Foml Films
• Thieve ft. Die Heuwels Fantasties, Way To Go submitted by The African Attachment
• MC, Earl & Algemi, Dakskroef submitted by Blixem Productions
Heroes Wear Red, Bring Me Love submitted by Mannequin Productions
• Winterstasie, Los My submitted by The Magic Factory
• 4am, Steering Ships submitted by Unleashed
• CrashCarBurn, Long Live Tonight submitted by 7Films

The top 10 were chosen by a MK selection panel who considered elements such as the production company’s experience; the choice of artist and song; the creative concept and treatment of the music video; the budget and production value; how well the concept complemented the MK brand and the appeal for its viewers.

Says Victor Edward Eckard, Head of Content at MK: “MVP was created to recognise and expose the wealth of talent that the South African music industry has to offer. It aims to encourage collaboration, uplift the industry and offer both bands and production companies a platform through which to showcase their work. Year on year we hope to grow this project and if the quality of the pitches we received is anything to go by, we can look forward to some interesting and powerful collaborations and of course, exceptional content.”




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>


MK Musiekvideo-projek (MVP) – toptien aangekondig

Tien plaaslike kunstenaars gaan elk R50 000 van MK kry om ’n musiekvideo te vervaardig

Ligte, kamera, aksie! Die toptien-kunstenaars van MK se Musiekvideo-projek (MVP) vir 2010 is so pas aangewys. As deel van MK se doelwit om te belê in die Suid-Afrikaanse musiek- en vervaardigingsbedryf en om dit na ’n hoër vlak te neem, het MK opdrag gegee vir die vervaardiging van tien plaaslike musiekvideo’s. Altesame 196 voorleggings is binne die bestek van ’n maand ontvang nadat MK bekend gemaak het dat hulle tenders vir MVP inwag.

Om te kon inskryf, moes die bands in samewerking met ’n geregistreerde Suid-Afrikaanse produksiemaatskappy van aansien die konsep vir ’n kreatiewe musiekvideo van uitstaande gehalte voorlê vir ’n song waarvan daar nog nie ’n video gemaak is nie.

Met ’n goeie balans tussen gevestigde kunstenaars en nuwelinge beloof die musiekvideo’s om van wêreldgehalte te wees. Die toptien is:

• Jack Parow, Tussen stasies voorgelê deur Ten10 Films
• Foto na Dans, Die vloed voorgelê deur Admit One Productions
• The Cavalier, Kiss and Tell voorgelê deur Tough Sunday Productions
• Will Mono met Jax Panik, Ken my nie voorgelê deur Foml Films
• Thieve met Die Heuwels Fantasties, Way To Go voorgelê deur The African Attachment
• MC, Earl & Algemi, Dakskroef voorgelê deur Blixem Productions
Heroes Wear Red, Bring Me Love voorgelê deur Mannequin Productions
• Winterstasie, Los my voorgelê deur The Magic Factory
• 4am, Steering Ships voorgelê deur Unleashed
• CrashCarBurn, Long Live Tonight voorgelê deur 7Films

Die toptien is gekies deur ’n MK-keurpaneel wat gekyk het na aspekte soos die vervaardigingsmaatskappy se ervaring; die keuse van kunstenaar en song; die kreatiewe konsep en uiteensetting van die musiekvideo; die begroting en die produksiewaarde; tot welke mate die konsep aansluit by die MK-handelsmerk; en hoe dit sal aanklank vind by MK se kykers.

Victor Edward Eckard, inhoudshoof van MK, het die volgende te sê: “MVP is geskep om erkenning te gee aan die uitsonderlike talent in die Suid-Afrikaanse musiekbedryf en om die blootstelling van bands te bevorder. Die doel is om samewerking aan te moedig, die bedryf ’n hupstoot te gee en om sowel die bands as die produksiemaatskappye ’n platform te bied om hul talente ten toon te stel. Ons hoop om die projek jaarliks te verbeter en volgens die gehalte van die voorleggings wat ons vanjaar ontvang het, kan ons uitsien na interessante en opwindende samewerkings wat uiteraard ’n groot bydrae gaan lewer tot uitstaande inhoud.”

For further information contact:

gavin@musketeer.co.za

 

 



Evolver One Rave Review
2010-07-23
Go to artist page

Evolver One - Evolver One

Email · Print
 
A new name, a new sound and a fresh attitude produces this catchy, poppy, electro-rock smoothie.

 If you think about Evolver One (formerly known as Evolver) you probably want to get naked, right? Not literally, obviously...well maybe, they are definitely a handsome bunch... Anyway, back to the point: you probably know them because of their popular hit “Let’s Get Naked”. So, before you read any further, undress your mind of the Evolver brand and brace yourself, because Evolver One has arrived; and it’s a whole different ballgame.

An electro-rock instrumental intro (“Storm”) opens their self-titled third album, Evolver One, while some grungy rock ‘n roll octave riffs on guitar and bass set the mood for the rest of the songs.

You’re probably wondering, why the new name and sound? Well, it seems Evolver One wants to carry a message across through their music. On “Green Song” Peter pleads: “Look at all the damage done, makes me want to scream and shout, together we can make a change, before it’s too late”. Don’t we all feel this way?

Working with a different producer definitely paid off. The influence of international hot shot, Nathan Winkler - who’s credits include colabs with Natasha and David Bedingfield - is definitely audible on electric eighties rocker “World’s Gone Crazy” and catchy, polished pop smoothie “Criminal”. Peter also seems to have found his inner Craig Hinds voice, but in a good way, on pop-rock ballads “Stand” and “Beautiful Girl”.

“Say You Will” is very reminiscent of their earlier stuff vocally and a definite winner for all the hardcore fans is “Set Us Free”, which opens with a Muse-like rocking driving James slappin-the-bass.

Overall, it’s a smooth, well produced daring album with a full, big sound. Doesn’t sound like the Evolver One you know? Don’t worry, because in this case “the change is as good as a holiday”.



 


Evolver One Interview
2010-07-23
Go to artist page

Interview: Evolver One

Email · Print
 
5 years, 10 kg’s and many a gig ago, I met Evolver One (formerly known as Evolver) on my first BIG tour as an Afrikaans band*. Three bands in a Volkswagen sprinter, the Afrikaans first timers in the cramped front row seats, a dodgy driver called Silas and some very long hours was enough to get some high-five’s all around after such a long time (it’s a musician thing). And Evolver One? 3 albums, 17 national tours and more than 500 shows later, these nice boys have now become even nicer men.

Producer Nathan Winkler, who’s worked with Natasha and Daniel Bedingfield, came on board for the new album, Evolver One. How did that happen and why him?
Peter:
We found Nathan through our publicist, we basically had one single that was gonna go to radio and then he kind of worked with that a little bit. He did like a little bit of a revamp, and then we liked what we heard.
Sean: We definitely didn’t want a “yes man” on the producing of the album. He’s more of a pop producer, and I think that’s why we really wanted to get involved with him.

Tell us about the new sound?
Sean:
We wanted to mature in the music, we didn’t want to have that 70’s signature rock sound, we wanted to kind of steer away from that and try some new things. Adding a pop element to the rock sound we had already was something that we really wanted to do, and I think that’s what Nathan came on board to do. He adapted his ‘popness’ to our ‘rockness’.
Peter: Before the whole thing, we had an idea of what kind of sound we were looking for in a way, we’d go like maybe we want that kind of sound Muse had captured on a record. We’d try and look like at a Musy, mixed with The Killers kind of sound.

A full sound?
Peter:
BIG SOUND! (chuckle chuckle)
Sean: BIG SOUND! (chuckle chuckle)

The creative process is different for everyone. How did you guys go about it?
Peter:
We started a writing process where we would be writing songs every week and then go in on a Sunday, where Nathan would look at the songs and we’d like change things up. I think we did about 60 songs and then we dissected some of the ones that were possibilities to use.

So how did you decide on the final songs? Any arguments?
Peter:
We all kind of went through like a voting process where each song got a certain amount of votes, then it would go on to like maybe demo that and then just always fine tuning the song until we got the last product. There was a lot of debates and stuff you know, that went on ja. I think if you’re gonna make a project, the arguing and that, I think it is quite healthy.
Sean: I think if you’re a proper producer, you are going to be a very difficult person, not to work with, but you know difficult on the product, because to us, if you don’t have a great product there’s no use in starting. And as long as all the arguments were settled and the product was better than we could have done ourselves I didn’t mind having arguments.

The studio is always a challenging experience. What did you learn through working with Nathan?
Peter:
I learned a lot, I think we all got our little Nathan stories you know. I kind of learned to sing really on this one (chuckles). I got rid of that like ruffy-ness and also I was singing in a certain way for my whole career up to that point, so then it was unlearning like bad little, just things that weren’t really considered professional singing. And the studio is like very unforgiving, so I was like 2 months in there trying to sing!

Project Evolution and charity work. Tell us more.
Peter: We all try to become more socially responsible, I mean I’ve had a drinking problem you know, I’ve battled with that, but like obviously being in the band you gotta step up. I think we’ve all grownup in that aspect, knowing that it’s all about the show and that it’s for the fans.
Sean: The project we got involved with, with Standard bank, we did a song for them for their World Aids Day on the 1st of December, where we changed “Let’s Get Naked” to “Let’s Get Tested”. We had over 4000 people tested in Jo’burg on the 1st of December when we did the campaign. We all got tested as well.
Peter: We’re also helping with child welfare; we’re very involved with the children of this country.
Sean: And we’re not just saying that, we really do give a lot of our time.

Do you think it’s important for bands to do charity work?
Peter:
I think if it comes from a genuine place then it is ja, you know you can’t just jump on the wagon and say, ok cool are we just gonna do that so we can get some press out of it.

Is there a connection between your new name and Project Evolution?
Sean:
Yes, its part of the whole thing you know, the one for us, we all play in the band and we come together to create a sound and a product that people can relate to. So from our side we wanted to not become a band that was always looking for the challenge overseas, cause every band sort of goes, “oh well, South Africa sucks, let’s go break America”, as if it’s easy, you know what I mean? We really wanted to be the first band in the country to say, listen this is our home, we’re optimistic about the country, we think it’s a fantastic place to live, let’s help everybody that we can and make a difference.

Musical influences for the new album?
Peter:
I think just the sound really, the sonic sound, like the production value, we decided what we heard from other bands, like The Killers and Muse.
Sean: We also did do some influences from a band called Pendulum, which was great you know. It’s very sort of drum and bass rock kind of stuff and Nathan introduced us to it and kind of pushed it on us with great enthusiasm!

Personal musical influences?
Sean:
Mine is definitely Deep Purple, cause I was into 80’s rock which was great, back then! You listen to it now, and you’re like ‘Yoh, I can’t listen to this!’
Peter: I like Jack White and I’m into like The Dead Weather. I’ve always liked him and it’s quite cool how he’s so involved in different projects and stuff. He’s a very talented guy and that’s cool, because I always use to dig people who were like dead, so it’s quite nice to have somebody to look up to that’s still living and breathing.
Tulsa: I think for me The Killers was probably a big influence and I think for the band as well, especially with this record we got a lot of inspiration from them.

The Soccer World Cup. How are you experiencing it and will it have a positive effect?
Sean:
The World Cup has been magic hey, it’s massive and it can’t be a negative thing. There are a lot of tourists that didn’t know about South Africa and now they do, so we might see a step up in tourism. As Robbie Williams said, “Don’t tell anyone about this place” (chuckles).
Peter: It’s been some highs and lows hey, well game wise anyway. And I guess as well, we’ll see the after effects in maybe 2 months, cause I’m sure there’s a lot of stuff going down that we’ll only find out once it’s gone.
Tulsa: I’m expecting a positive chain in foreign investment, just that awareness opens up all those doors.

Evolver’s Number 1:
Snack when on tour: Biltong, nuts or whatever the fans are giving us!
South African Venue: Barnyard’s and Casino’s (for their great stages)
South African Festival: Cokefest
SA Band: Wrestlerish
International Band: The Killers and The Dead Weather
Soccer Team: Was Ghana, now Holland.
Soccer Paraphernalia: Makarapas: Hand painted from Soweto.

Tours, new singles, videos and conquering Mexico are all in the loop for these guys. Oh yes, and of course visiting Cape Town more often! For more information visit their official website www.evolverone.com .


Musketeers latest release
2010-07-15
Go to artist page

        John Manuel

  "Lost and Found”

dirt_road.jpg

 

DSC_5123.jpg

 

John Manuel is a singer songwriter based in Durban and 'Lost and Found' is his first solo album.

 

John has honed his skills as a fingerpicking guitarist over the last 10 years and builds his songs from the complex guitar riffs which are his trademark sound.

 

The album, which has been two years in the making, was developed under the guidance of one of South Africa’s top producers, Brian O’Shea. Commenting on their partnership John explained that when they first met Brian promised that they would make an album beyond what John had ever dreamed, and 'Lost and Found' is definitely such an album. 'Brian constantly pushed me to explore new dimensions of song craft in a way that never undermined the integrity of the music. He understood that my songs tell stories based on my observations of life around me, whether personal or political. This needs to define both the sound and the character of the music we make. Brian gets this and was always sensitive to my instincts in this regard.  My time with Brian has probably been the richest in my musical career', John concludes.  

After discussions with several record labels, John signed with Musketeer Records to market 'Lost and Found'.  John believes that Musketeer is unusual in the music industry because they place the needs of the artist and the album at the center of their strategy. 'I am fortunate', says John, 'in that I have a fully engaging job as a school teacher, so this album is a 'labour of love'; it is not commercially motivated. I have recorded it because I have songs developing inside of me and I want to get them out on the airwaves'. Musketeer fully understands this and has devised a plan around this.

 When asked what next, John smiles. ‘There are plenty more songs on the way', he says. 'I have riffs in my head, many of which feel like old friends, and they emerge at their own time into fully fledged songs. It will be a life long journey of creativity for me'.

 

Official release date 12th July 2010.

 

Track listing:

1.     No Time To Stop

2.     Centre Stage

3.     Lost and Found

4.     Chase

5.     Discriminate

6.     Bravery

7.     Never Work

8.     Expectations

9.     Slowly

10.  The Pearl

For further information contact: gavin@musketeer.co.za

 

 

 

 

 

 

 



Reburn set to score during the World Cup
2010-06-11
Go to artist page

The dust hasn’t even settled from their recent successful tour of Johannesburg and Reburn is at it again! This indie-rock band, based in Cape Town have a jam packed schedule during the World Cup but the football mad lads will still find time to catch a match or two.

The band is one of a handful of local acts booked to play at the Cool Britannia Music Fest being held at the CTICC from the 11th of June to the 11th of July 2010. To add fuel to the fire, Reburn has been chosen to do multiple shows at the MTN Fan Parks and will be performing at Mercury live, R.O.A.R., The Purple Turtle, Blizzards and the Grahamstown National Arts Festival during this period.

Amongst all of these events Reburn is busy with pre-production on the tracks that will feature on their album due for release at the end of this year. Reburn has just launched their own channel on the online and mobile social media community Zoopy, where viewers can watch their music videos while following their Tweets and Facebook updates at the same time!

For further information on what’s happening with Reburn, find them on Facebook.

For interviews contact info@reburn.co.za



WIN BIG WITH HWR, EA GAMES AND MUSKETEER RECORDS
2010-06-09
Go to artist page

LogoRed.jpgn106799786034446_5688.jpg

Musketeer-Logo.jpg

 

Got a flare for graphic design? Fine art? Scribbling? Painting? Sculpting? Find a home for your artwork and win some really cool prizes this winter as Heroes Wear Red roll out their most exciting music yet!

HWR in association with EA Games and Musketeer Records want YOU to submit artwork to be featured as downloadable inserts for the new Heroes Wear Red *exclusively digital* singles as well as to be printed on all HWR merchandise, websites and banners.


Here’s the list of good stuff on the line:


• EA Games ‘Rockband’ video game for PS3 or X-BOX along with a FULL ROCKBAND SET (includes drums, guitars and microphone, just plug & play!)
R1000.00 CASH
• Artist Hamper courtesy Musketeer Records featuring brand new CD & DVD releases from the entire musketeer catalogue (Seether, 7th Son, Starplayer, The Sleepers and plenty more)
• Artist/designer profile spotlight on all EA/Musketeer associated media websites.

• FREE access to all the HWR *exclusively digital* singles to be released over the next 18 months
• 2 Free tickets to EVERY HWR show across the country for the next 18 months.

Rules


1. You may submit as many entries as you like
2. You may choose ANY THEME that you think is relevant to the band's music. It doesn't need to be an illustration of the band's name
2. Entry deadline is 19th July 12:00
3. Winner will be announced on the 26th July
4. Submit a digital/scanned copy of your entry to heroeswearred@gmail.com along with a cover letter explaining the meaning/intention of the piece as well as your contact details and any other information you deem relevant
5. The submission should be under 10mb
6. Format should be PDF, PSD or JPG.
7. If you don’t receive email confirmation within 2 working days that we have your entry, then it has not been received.
8. You are encouraged to be creative with your medium, utilize anything at your disposal. We’re looking for strong, unique pieces.
9. It does not need to be a 5 page insert; it should be one strong image or design.



   
   
 
7th Son
Date: 31-07-2010
Venue: Blizzards (Durbanville)
Details: 7th Son

The Sleepers
Date: 13-08-2010
Venue: ROAR (Cape Town)
Details: The Sleepers with We Set Sail

The Sleepers
Date: 20-08-2010
Venue: Zula Sound Bar (Cape Town)
Details: The Sleepers

Heroes Wear Red
Date: 27-08-2010
Venue: Cool Runnings (Victory Park)
Details: Heroes Wear Red